12. Cultural Criminology
12.11 References
Dr. Steven Kohm
Anderson, N. (1923). The Hobo. University of Chicago Press.
Atkinson, R., & Rodgers, T. (2016). Pleasure zones and murder boxes: Online pornography and violent video games as cultural zones of exception. The British Journal of Criminology, 56(6), 1291-1307. https://doi.org/10.1093/bjc/azv113
Baudrillard, J. (1981). For a critique of the political economy of the sign. Telos.
Bauman, Z. (2000). Liquid modernity. Polity Press.
Brown, M. (2009). The Culture of Punishment: Prison, Society, and Spectacle, New York University Press.
Brown, M. (2014). Visual criminology and carceral studies: Counter-images in the carceral age. Theoretical Criminology, 8(2), 176-197. https://doi.org/10.1177/1362480613508426
Brown, M., & Carrabine, E. (eds.) (2017). Routledge International Handbook of Visual Criminology. Routledge.
Carrabine, E. (2012). Just images: Aesthetics, ethics and visual criminology. British Journal of Criminology, 52(3), 463-489. https://doi.org/10.1093/bjc/azr089
Chambliss, W. (1975). Toward a political economy of crime. Theory and Society, 2(2), 149-170. https://doi.org/10.1007/BF00212732
Cohen, S. (2001). States of denial. Knowing about atrocities and suffering. Polity Press.
Cunneen, C. (2010). Framing the crimes of colonialism: Critical images of aboriginal art and law. In K. Hayward & M. Presdee (Eds.) Framing crime: Cultural criminology and the image (pp. 115-137). Taylor & Francis.
Cunneen, C. (2011). Postcolonial perspectives for criminology. In M. Bosworth & C. Hoyle (Eds.) What is criminology? (pp. 249-299). Oxford University Press.
Cunneen, C. & Tauri, J. (2016). Indigenous Criminology. Policy Press.
Donovan, P. (1998). Armed with the power of television: Reality crime programing and the reconstruction of law and order in the United States. In M. Fishman & G. Cavender (Eds.) Entertaining crime: Television reality programs (pp. 117-137). Routledge.
Doyle, A. (2003). Arresting images: Crime and policing in front of the television camera. University of Toronto Press.
Faughnder, R. (2014, June 9). Gibson guitars made with government-seized wood are sold out. LA Times. https://www.latimes.com/entertainment/envelope/cotown/la-et-ct-gibson-guitar-20140215-story.html
Fawcett, C., & Kohm, S. (2020). Carceral violence at the intersection of madness and crime in Batman: Arkham Asylum and Batman: Arkham City. Crime Media Culture, 16(2), 265-285. https://doi.org/10.1177/1741659019865298
Ferrell, J. (1992). Making sense of crime: Review essay on Jack Katz’s Seductions of Crime. Social Justice, 19(2), 110-123. http://www.jstor.org/stable/29766697
Ferrell, J. (1999). Cultural criminology. Annual Review of Sociology, 25, 395-418. https://doi.org/10.1146/annurev.soc.25.1.395
Ferrell, J. (2004). Boredom, crime and criminology. Theoretical Criminology, 8(3), 287-302. https://doi.org/10.1177/1362480604044610
Ferrell, J. (2006). Empire of scrounge: Inside the urban underground of dumpster diving, trash picking, and street scavenging. NYU Press.
Ferrell, J., Hayward, K., & Young, J. (2008). Cultural criminology: An invitation. Sage.
Foucault, M. (1977). Discipline and punish. Trans Alan Sheridan. Random House.
Gibson.com (n.d.). Government Series II Les Paul. http://legacy.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson-USA/Government-Series-II-Les-Paul.aspx
Giddens, A. (1984). The constitution of society. Polity Press.
Giddens, A. (1990). The consequence of modernity. Polity Press.
Hall, S. & Winlow, S. (2007). Cultural criminology and primitive accumulation: A formal introduction for two strangers who should really become more intimate. Crime Media Culture, 3(1), 82-90. https://doi.org/10.1177/1741659007074451
Hayward, K. (2016). Cultural Criminology: Script Rewrites. Theoretical Criminology, 20(3), 297-321. https://doi.org/10.1177/1362480615619668
Hayward, K. & Young, J. (2004). Cultural criminology: Some notes on the script. Theoretical Criminology, 8(3), 259-73. https://doi.org/10.1177/1362480604044608
Hier, S. (2019). Moral panics and digital-media logic: Notes on a changing research agenda. Crime, Media, Culture, 15(2), 379–388. https://doi.org/10.1177/1741659018780183
Katz, J. (1988). Seductions of crime. Basic Books.
Kohm, S. (2009). Naming, shaming and criminal justice: Mass-mediated humiliation as entertainment and punishment. Crime Media Culture, 5(2), 188-205. https://doi.org/10.1177/1741659009335724
Kohm, S. & Walby, K. (2020). Local media framing of scrap metal collection as crime. Critical Criminology, 28, 613–629. https://doi.org/10.1007/s10612-020-09527-z
Lyotard, J-F. (1984). The postmodern condition: A report on knowledge. University of Minnesota Press.
McRobbie, A., & Thornton, S. L. (1995). Rethinking “Moral Panic” for Multi-Mediated Social Worlds. The British Journal of Sociology, 46(4), 559–574. https://doi.org/10.2307/591571
Naegler, L., & Salman, S. (2016). Cultural criminology and gender consciousness: Moving feminist theory from margin to center. Feminist Criminology, 11(4), 354–374. https://doi.org/10.1177/1557085116660609
Pratt, J. (2000). Emotive and ostentatious punishment: Its decline and resurgence in modern society. Punishment & Society 2(4), 417–39. https://doi.org/10.1177/14624740022228088
Presdee, M. (2000). Cultural criminology and the carnival of crime. Routledge.
Rafter, N. (2014). Introduction to special issue of visual culture and the iconography of crime and punishment. Theoretical Criminology, 18(2), 127-133. https://doi.org/10.1177/1362480613510547
Rafter, N. (2016). The crime of all crimes: Toward a criminology of genocide. New York University Press.
Rowlands, T., Ratnabalasuriar, S. & Noel, K. (2016). Video gaming, crime and popular culture. Oxford Research Encyclopedia of Criminology. https://doi.org/10.1093/acrefore/9780190264079.013.51
Shaw, C. (1930). The jack-roller: A delinquent boy’s own story. University of Chicago Press.
Spencer, D. (2011). Cultural criminology: An invitation… to what? Critical Criminology, 19, 197–212. https://doi.org/10.1007/s10612-010-9112-x
Steinmetz, K. (2018). Carceral horror: Punishment and control in Silent Hill. Crime Media Culture, 14(2), 265–287. https://doi.org/10.1177/1741659017699045
Steinmetz, K., Schaefer, B. & Green, E. (2017). Anything but boring: A cultural criminological exploration of boredom. Theoretical Criminology, 21(3), 342-360. https://doi.org/10.1177/1362480616652686
Thrasher, F. (1927). The gang. University of Chicago Press.
Walby, K., & Kohm, S. (2020). Metal at urban margins: Regulating scrap metal collecting in Winnipeg, Canada. Canadian Journal of Urban Research, 29(1), 98–111.
Wilson, J. Q. & Kelling, G. (1982, March 1). Broken windows: The police and neighborhood safety. The Atlantic. https://www.theatlantic.com/magazine/archive/1982/03/broken-windows/304465/
Yar, M. (2012). Crime, media and the will-to-representation: Reconsidering relationships in the new media age. Crime Media Culture, 8(3), 245-260. https://doi.org/10.1177/1741659012443227
Young, J. (2007). The vertigo of late modernity. Sage.